Friday, March 4, 2011

Does Orange Juice Make Phlem?.

Sequence of tenses



L Friday, March 4 th, from 18h, Leméac launching the first novel by Evelyn La Chenelière: of tenses.

He has suicidal thoughts, is surprised with a rake, a stranger less a stranger to him. She thinks suicide of his sister, his childhood swimming, his fear of water, fears of childbearing.
They have a past that has not prepared for this. He walks toward her. She expects the restaurant. This appointment will not occur. Their interior monologues, in crisscrossing, weaving the story of their grief, past and future of their impossible love and their illusions of lucidity. Yet they were a married couple if ever there was one. At home, though in all respects. They are so domesticated that any sense of rebellion is finally gone?

By playing on the records of interior monologue and omniscient narration, Evelyn
Chenelière addresses of her first novel as a role playing game, a hyper-theatrical unplayable on the stage which enjoys a lucid despair, as a stormy sky briefly illuminated by flashes of dark humor. It's both tasty and bitter, just terribly.
She throws on our lives in a privileged Western look so sharp that he has the edge of a scalpel, and yet, in his critique of our small complaints is compassion, above all, stands out.


Evelyne de la Chenelière is dedicated to creating theater for ten years.
Through writing, acting and directing, she explores the perceptions and representations of the world and tries to rename the difficulty of living. In 2006, she received the Governor General's Award for her collection entitled Disorderly . The sequence of tenses is his first novel.







.

Does Orange Juice Make Phlem?.

Sequence of tenses



L Friday, March 4 th, from 18h, Leméac launching the first novel by Evelyn La Chenelière: of tenses.

He has suicidal thoughts, is surprised with a rake, a stranger less a stranger to him. She thinks suicide of his sister, his childhood swimming, his fear of water, fears of childbearing.
They have a past that has not prepared for this. He walks toward her. She expects the restaurant. This appointment will not occur. Their interior monologues, in crisscrossing, weaving the story of their grief, past and future of their impossible love and their illusions of lucidity. Yet they were a married couple if ever there was one. At home, though in all respects. They are so domesticated that any sense of rebellion is finally gone?

By playing on the records of interior monologue and omniscient narration, Evelyn
Chenelière addresses of her first novel as a role playing game, a hyper-theatrical unplayable on the stage which enjoys a lucid despair, as a stormy sky briefly illuminated by flashes of dark humor. It's both tasty and bitter, just terribly.
She throws on our lives in a privileged Western look so sharp that he has the edge of a scalpel, and yet, in his critique of our small complaints is compassion, above all, stands out.


Evelyne de la Chenelière is dedicated to creating theater for ten years.
Through writing, acting and directing, she explores the perceptions and representations of the world and tries to rename the difficulty of living. In 2006, she received the Governor General's Award for her collection entitled Disorderly . The sequence of tenses is his first novel.







.